Pancharatnam literally means “five gems”, in this care precious gem of a composition. When we talk about Pancharatnams, most with Carnatic Music awareness attribute it to the archetype, Ghana Raga Pancharatnam, but in fact there are five such groups of compositions.
A post of mine that has been sitting in the drafts for more than a year, and the irony, it was a guest post. I am sure Dr. Madhubanti would have even forgotten she wrote this, but how could I leave a beautiful post such as this from seeing the light of the virtual world! […]
Koteeswara Iyer was one of the first composers to compose in all the 72 melakartha ragas. Implies, he should have given life to many of the otherwise synthetic ragas in the melakartha scheme. These compositions included ragas which were vivadhi, a classification of ragas considered taboo to be sung in concerts.
Consider this a double post on (L for) Lalgudi (J for) Jayaraman (1930 – 2013), the violinist, vocalist and composer. I grew up listening to recordings of yester year singers, mostly accompanied by Lalgudi. There was a time when I had the entire dancing thillana cassette by heart, but didn’t know lyrics for even one. […]
You might have heard this composition as an interlude between charanams in the song “Kulu Valley le” in the movie Muthu. Listen to KV Narayanaswamy singing omana thingal kidavu in raag Navroj. In the video, he also gives a brief about the simplicity of the lullaby and its lyrics. This song was composed as a lullaby for Maharaja Swati Tirunal.
Harikesanallur Muthiah Bagavathar (1877 – 1945) was a 20th century carnatic music composer, and a ra’ga creator. Let us call him HMB for ease from now on. HMB learnt from Padinaindumandapa Sambasiva Iyer for 9 years and made his name as a Harikata Vidhwan. (harikatha is an art of story telling infused with music) He was also adept […]
Gudalur Narayanaswamy Balasubramaniam (1910 – 1965), popularly known as GNB, was a vocalist in the Carnatic tradition. He did diploma in music with Madras University (first batch) where Tiger Varachari was the principal. He gave his first concert in 1928. He was also a tamizh movie actor and performer, but we are concerned about the […]
I’m not sure if everyone will accept my choice of composer with F – I am going to write about my Father, Sri S. Devanathan. Appa is mostly a self – learnt musician, through concerts and cassettes. There were times when his rendition of songs would be exactly like Maharajapuram Santhanam, his maanaseega guru. He has […]
Kallidaikurichi Dr. ES Sankaranarayana Iyer (1881 – 1947) was a medicine man and a carnatic music composer. A large part of propagating his works was done by the Maragatham Sankaranarayana Trust. They conducted annual concerts of exclusive ESS Iyer compositions by various eminent musicians. The recordings are held by the trust and you can contact and them here. When […]
I took the liberty of choosing Dharmapuri Javali Subbarayar for the letter D (his mudra was Dharmapuri after all!). He was a composer of the 19th century. His name has been prefixed with Javali (which has sringaara themes, is fast paced and used in dance performances), as most of his compositions were of this type. Works Subbarayar composed […]