Pancharatnam literally means “five gems”, in this care precious gem of a composition. When we talk about Pancharatnams, most with Carnatic Music awareness attribute it to the archetype, Ghana Raga Pancharatnam, but in fact there are five such groups of compositions.
A post of mine that has been sitting in the drafts for more than a year, and the irony, it was a guest post. I am sure Dr. Madhubanti would have even forgotten she wrote this, but how could I leave a beautiful post such as this from seeing the light of the virtual world! […]
Five years ago, I attended my first Abhishek Raghuram concert as a TMK concert at the same time, different venue, was overflowing with rasikas. Yesterday (27th Dec) the same happened as tickets sold out for AR, and thus I ended up at the concert of Saketharaman, a disciple of Lalgudi Jayaraman. He was accompanied by Mysore […]
I remember the first post I wrote on my blog. It was a challenge to myself on how lengthy a post I could cough up without it being about anything. The writing might have started silly, but it has helped me research and learn a lot as much as it has helped me express what […]
For having a blog with tagline “If you have something to say, I shall be saying something as well”, I have not been saying what I have wanted to say for a long long time, I realized. It was a conscious decision because I decided to write only about music in this space. Though it […]
Koteeswara Iyer was one of the first composers to compose in all the 72 melakartha ragas. Implies, he should have given life to many of the otherwise synthetic ragas in the melakartha scheme. These compositions included ragas which were vivadhi, a classification of ragas considered taboo to be sung in concerts.
Consider this a double post on (L for) Lalgudi (J for) Jayaraman (1930 – 2013), the violinist, vocalist and composer. I grew up listening to recordings of yester year singers, mostly accompanied by Lalgudi. There was a time when I had the entire dancing thillana cassette by heart, but didn’t know lyrics for even one. […]
You might have heard this composition as an interlude between charanams in the song “Kulu Valley le” in the movie Muthu. Listen to KV Narayanaswamy singing omana thingal kidavu in raag Navroj. In the video, he also gives a brief about the simplicity of the lullaby and its lyrics. This song was composed as a lullaby for Maharaja Swati Tirunal.
Harikesanallur Muthiah Bagavathar (1877 – 1945) was a 20th century carnatic music composer, and a ra’ga creator. Let us call him HMB for ease from now on. HMB learnt from Padinaindumandapa Sambasiva Iyer for 9 years and made his name as a Harikata Vidhwan. (harikatha is an art of story telling infused with music) He was also adept […]
Gudalur Narayanaswamy Balasubramaniam (1910 – 1965), popularly known as GNB, was a vocalist in the Carnatic tradition. He did diploma in music with Madras University (first batch) where Tiger Varachari was the principal. He gave his first concert in 1928. He was also a tamizh movie actor and performer, but we are concerned about the […]